The romanticization of \u201cgood old times\u201d is ritualized by people in the same way as the idealization of \u201cbright future\u201d. Nostalgia and utopia collide in the chaos of the present moment in which we live, where the dispersion of innumerable perspectives, truths and identities reveals itself in a lack of trust in the common and public. How do we then think or even live the utopian moment in the present and the future? Traces and evidence of life\u00a0are discarded at the dump of some dystopian re-use centre. While individuals look for the worlds through which we give meaning to our existence in particular ways. The performance deploys an archive of personal objects from everyday life and creates intimate environments of personal monuments, which reflect the broader social context. The dialogue between the private and the public has shrunk to the bureaucratic apparatus, which is able to\u00a0think only itself. It\u2019s really complicated. We really want to do the \u201cright thing\u201d. We really\u00a0do not want to \u201cscrew things up\u201d. It\u2019s really complicated.<\/p>\n","protected":false},"excerpt":{"rendered":"
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