Hero 4.0 – Business as Usual

“Is this alright with you?”
“The promo text?”
“Yes… “
“No.”
“Okay, let’s go step by step.”
“OK, let’s erase what we have and start again.”

The two heroes are once again facing the battle of their lives. They joined forces and put aside the fights between them. They are no longer fighting for an audience. Or against it. They fight together with the audience: for content, for meaning and for time.

“I think that’s enough.”
“Sure, it’s a promo text.”
“Exactly. It just has to grab your attention and make you think: I really have to go and see this.”

Once you’re on stage, you can’t get rid of it. You can’t avoid it. We have descended into a game whose rules are so simple, so absolute and so relentless that you cannot hide and you cannot stay hidden. Either we have something to say or we are ‘acting’.

“Now we have to be careful not to give too much away.”
“Yeah, it can’t be like a trailer that tells you everything.”
“In the sense that we’re talking about death and doubt and passing?”
“Yes, this we have to keep for the show.”
“We still need something, though.”

From this point on, it’s just a question of whether it will pay off. The time we spend together is limited. We are all running out of it. We need to be even more honest. We need to think even more. We need to try even bolder.

“Don’t know. When I read it, it’s so general.”
“Yes, I agree. It’s just empty phrases.”
“All right, let’s delete this one.”
“Yeah, it’s enough for a promo text. For more, there will be a programme booklet.”

Theatre is a space where you have to fight for content, where you have to earn your position of utterance. If you run out of content, you run out of heroes. There is no room for doubt. We are all aware of where we are, the roles are allotted, the consensus is made. We are on this side, you are on the other. Let the game begin.
Business as usual.

“Does the title work for you?”
“Of the performance?”
“Yes.”
“Now we just need an audience.”

content
hero
minljivost
time

Awards and festivals

  • 5th ZIZ festival, Maribor, Slovenia, 2023
  • ZIZ award for franchise, Maribor, Slovenia, 2023
  • ZIZ award for animated dance duet, Maribor, Slovenia, 2023

Video

Past performances

13. october 2023 / Intimate stage GT22
14. october 2023 / Intimate stage GT22
16. october 2023 / Intimate stage GT22
26. november 2023 / Kosztolányi Dezső Theatre, Serbia
01. december 2023 / Glej Theatre, Ljubljana
03. december 2023 / Glej Theatre, Ljubljana
04. december 2023 / Glej Theatre, Ljubljana
06. january 2024 / Glej Theatre, Ljubljana
07. january 2024 / Glej Theatre, Ljubljana
10. february 2024 / Intimate stage GT22
11. february 2024 / Intimate stage GT22
12. february 2024 / Intimate stage GT22
01. march 2024 / Plesni forum Celje
09. march 2024 / Glej Theatre, Ljubljana
10. march 2024 / Glej Theatre, Ljubljana
07. april 2024 / Prešernovo gledališče Kranj
Authors and performers:

Uroš Kaurin and Vito Weis

Dramaturgy:

Katarina Stegnar

Video:

Boris Bezić

Music:

Lea Čehovin

Poster and Glej, Paper design:

Ivian Kan Mujezinović and Mina Fina / Grupa EE, Nika Zuljan

Glej, Paper Editor:

Tery Žeželj

Merchandise design:

Toni Soprano Meneglejte

Light design:

Gašper Bohinec

Technical management:

Gašper Bohinec and Grega Mohorčič

Photography:

Ivian Kan Mujezinović, Andrej Firm

Video trailer:

Nejc Vehovec

Executive producers:

Nika Bezeljak, Anja Pirnat

Public relations:

Anamarija Nađ, Paulina Pia Rogač, Tina Malenšek

Duration:

80 min

Premiere:

13. 10. 2023, Intimate stage GT22, Maribor

1. 12. 2023, Gledališče Glej, Ljubljana

Production:

Moment Maribor, Gledališče Glej

Residency and festival partners:

Hiša kulture (Celje), Desirée Central Station (Subotica), TESZT Festival (Timisoara)

Supported by the Ministry of Culture of Slovenia, the Municipality of Maribor and the Municipality of Ljubljana.