Miha Bezeljak loves art. His devised solo performance premieres on March 22nd.

Radio Ratatata is the story of the eponymous radio station trapped in a timeless world where all that matters is to be on air.

Three individuals, three different faces of war, three (un)connected stories, shared memories of childhood.

The show is about war. Nothing is left unsaid. All the faces of the complex subject are brought to life on stage, painting a comprehensive portrait of millennia of human thinking about history's darkest times.

MEMORIA is a performance about memory and its loss. Mala used the visionary paintings of Marko Jakše, one of the most acclaimed Slovene painters, as source material to write a letter to the future us about where we are coming from.

The two heroes are once again facing the battle of their lives. They joined forces and put aside the fights between them.

The performance is a generational gesture to address the void in communication, to expose the silenced empty spaces on the topic of sexuality and sexual abuse.

an experimental contemporary flamenco dance

Takorekoč (So to speak) - the cycle of theatre essays, season two.

Takorekoč (So to speak) - the cycle of theatre essays, season two.

Takorekoč (So to speak) - the cycle of theatre essays, season two.

Blood Stories with Miranda Trnjanin and Pedro Moldão about origins and relations.

A documentary performance where tissues are a must-have accessory

A performance that breaks concrete through music

Documentary installation with narration

Acrobatic burlesque for the whole family (4+)

Extraordinary improvised performance in which the performers continually ask and answer questions. In cooperation with Maribor Theatre Festival.

A dance and musical performance, a wildly inspiring chatter of movement and sound

A stunning manifestation of relentless resurrection, joyful despair and foolish hope. In cooperation with Maribor Theatre Festival.

Two non-professional dancers in their last dance - a witty and moving coquetry with the personal and the global ending.

This season of StudenTheatre represents: 5-4=2.

We still miss Tito very much, but could a certain man from Grosuplje become our next great leader?

When a victim speaks up, they are sent to the stakes. And then the witches start dancing.

With the outbreak of the war, they were the only ones to continue their activities underground. They did not surrender and recognise the Nazi occupation. The struggle began. The revolution had begun.

„Great art inevitably co-creates space for its own parody.” Mare Bulc (from the text of the never performed play by Via Negativa)

The search for Slovenia's personality in the European perspective and many other questions that will create our potica, which is absolutely and relatively raisin-free.

We have created the last safe space on the planet to protect you from the horrors of the outside world. Coproduction with Maribor Puppet Theatre.

Apophenia processes everything that is intangible, inarticulate, elusive.

Our work, starting from the “Speech of Aristophanes” contained in Plato’s Symposium, is a journey within the couple relationship and within ourselves and our awareness, aimed at the conscious search for our identity.

Luka works out every day, answers emails on time, showers every day with cold water, eats healthy, separates waste, cleans, cooks, in short, does everything he can to keep things from spiralling out of control.

Deep Purple is a wasteland of ambition filled with the potential to experience beauty.

„Great art inevitably co-creates space for its own parody.” Mare Bulc (from the text of the never performed play by Via Negativa)

The central platform of the performance is the communist movement in Maribor, where the audience comes into contact with Maribor activists, later national heroes/heroines. The revolution bears their names.

All good things come to an end. Join us at the last safe space on earth, a moment before (or after?) it all ends. In co-production with Maribor Puppet Theatre.

Technoburlesque is a mute comedy of the body that mocks rigidity of social roles. It uncritically appropriates, copies and glues together femininity, masculinity, family relationships, machismo and other degenerated social roles that are unrighteous considered to be normative.

Performance, starting from the “Speech of Aristophanes” contained in Plato’s Symposium, is a journey within the couple relationship and within ourselves and our awareness, aimed at the conscious search for our identity.

Forecasting is based on a collection of amateur videos taken from the largest video-sharing website, YouTube. The piece delves into the process of watching videos by reducing it to its essential: a body and a screen.

Multidisciplinary theatre performance that blends visual art, new media with documentary and object theatre. It is based on Palestinian artist Karim Shaheen’s true story.

The Godzilla Tribute Band is a collective assembled to save the world. Because we want to. Because we have to. You will find us on the sly. In a shelter. In the underground.

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors

A table puppet performance about home and moving, that offers a stage intertwinement of an evergreen toy - wooden blocks - and modern projection technology.

How is it there? There ... on the other side of the line drawn by reason and imagination. How does one behave there?

Two drama students, two solo performances. In the joint project Path, these two parts merge and refine each other.

Holidays, an annual goal, a piece of carefree time when we can dedicate ourselves and our loved ones

At first, there was nothing. Then it exploded. The Sun came into being. It wanted company, so it invented planets. On one of these planets, life was born.

What to do with the different? What to do with those who think differently? What to do with those who we resent?

The greatest drawback of love is that it needs a duality.

On stage, the story of a robot that returns to life unfolds in magic.

We follow the journey of a fairy-tale creature born in the real world.

Mirka, Živko and Dadakice is a story about George and Emil watching ducks

The play depicts the struggle of an individual trapped in an environment without basic necessities.

The starting point of the play is Heiner Müller's text The Devastated Coast / Medea material / Landscape with Argonauts.

World is a puppet performance. It’s a performance born for the street or better yet, for a backyard overlooking that same street.

He doesn't know where he belongs, to whom he belongs. He adapts to others and especially to himself.

The glorification of a woman gets on my nerves. Because it’s always in a relation to a man. Like some kind of competition. Where someone has to win.

Puppet miniature talks about sadness and joy, old and new, children and adults, and everything in between.

At first, there was nothing. But right there, almost indefinitely years ago, something was resting.

In the project, which is set as a personal confession of a man, animation, acting, movement and subtle atmosphere are intertwined.

The experimentally designed miniature combines two seemingly incompatible techniques on stage - puppets and film.

What does a woman gain and what does she lose if she becomes a mother? For what reasons does a woman not become a mother?

The relationship between the personal and the public is elusive. How far into the personal space do we let the other person go?

What is happiness? Where can I find it? Who will I look for it with? What am I afraid of? What am I ashamed of? What's getting on my nerves? What makes me happy?

A puppet show without puppets, but with a full box of fruit and vegetables.

A show for the youngest that talks about friendship, loneliness and mutual understanding.

The show takes place in the real environment of a house on the outskirts of Maribor, where spectators witness the simultaneous course of events around the venue.

Frame: Radio broadcast. Content: sharp. Defining. Stories: true. Some. Other possible.

In a time of brutal celebration of power, in a time of loans, debts, frauds, subordination, manipulation and mutual dependency, it’s hard to detect a parasite.

Hundred Toasts is a celebration of the achievements, excesses, and fatal mistakes of a personality that have had a decisive impact on our past and our present.

Plastic Heroes is a hit show by Ariel Doron, that follows a turn in which violence, sex, hatred, lust and fear turn from innocent childish play into a bloody reality.

The performance is a hybrid of Kalidas’s Shakuntala, Camilla’s and Augustine’s relationship, and our personal experiences of love and abandonment.

Matilda is a woman, at least usually she looks like one. She is not an artist but she finds inspiration in ordinary things. Stage is her home.

Sonny is an attempt at an anthropological research of a specific phenomenon of sworn virgins or “virginas in a performative form.

The Satyriconiade is a kind of an initiation carnival, a celebration for the not so ingenious, a party for the less popular.

Objectification is a visceral response to the world of things in which we live.

Beautiful women in old pajamas tell their dreams. You can listen to them for hours, but also go to the bar or smoke a cigarette.

A Potential Performance is a description of a performance that never occurs.

ABONMA is a project which, by developing a specific staging language, deconstructs and reconstructs existing performances.

We can say with certainty that Caligula is found in each of us.

Devised project about a mobster and the father of a surprisingly ordinary girl from Portugal.

The performance is an adaptation of Kekec’s first adventure, which Josip Vandot described in the book Kekec on the Hard Path.

A play brimming with dramatic expression, poetic impression, playfulness and flirtatiousness with the ironic criticism of the world.

What should performers do to satisfy the audience?

Why is it easier for bar singers to perform than for actresses?

How to tell the Game of Thrones with a lighter and hairspray?

Children's puppet show from A to Z, a mixture of noises, sounds and voices.

The play is based on the story of Josip Jurčič and deals with the stereotypical quarrel between Slovenes in neighborly relations.

A story of dystopian migration in the future. Are you ready? Sooner or later… it can happen to us too.

Around a Clock is a performance which takes about an hour and which takes place around a clock.

How will we prevent that? Prevent what? Prevent the arrival of underage asylum seekers to the dormitory or prevent the resistance from the students’ parents?  

Muyte Maker celebrates disobedient and irrational bodies.

Seven young people intertwine the memories of their parents, grandparents, literature and pop culture with their contemporaries.

Let the puppet masters pull our strings. Let them put up a performance. A performance? What does this mean?

Gilgrieving is an event; it is a mourning ritual; ritual lamentation and grieving for Gilgamesh’s heroic masks.

Stranger than paradise in Glej theatre is a documentary performance, something between a concert, a travelogue and a gathering of friends.

The play The String That Saved the World, based on rich Inuit mythology, revives the traditional way of telling stories with a string.

The performance tackles the emancipatory moment of Slovenian contemporary dance during the WW2 period, showcasing dancer Marta Paulin - Brina.

"I admit that I'm still not *exually satisfied. I *egret it. I deeply *egret it.

Heart. Muscle. Pump. Organ. Symbol. Metaphor. Dog food. A performance that stretches and contracts.

The performance deploys an archive of personal objects from everyday life and creates intimate environments of personal monuments.

HPD is reaching forty. Midlife crisis is on the horizon.

Even if you disappear and time swallows you up in its spaceless reality, the cycle of life will go on without stopping, but it will not remain untouched.

Mini cabaret of extreme marionettes.

What is life like in the modern world? How do we find ourselves in it?

Who am I in a relationship with, whether I want it or not? Who am I involved with, whether I’m aware of it or not?

! is a devised performance about creativity and disagreement. And maybe even about compromises.

Uroš Kaurin, performance concert. About the theatricality of the relationship between the performer and the audience and more

In one hour Grega and Vito “execute” their supporting vocal job professionally from beginning to end, although there is nobody left to be accompanied.

A subtle tale of a woman who dreams of her life, ideals and relationships in a room.

The Quartet performance is accompanied by the exhibition What a Fruitful Performance: Museum of Our Loves and the workshop How to Tackle this Machine?

The performance shows a transnational european performance in the making.

In a country without hope, two heroes rose up. They are young, brave and fearless.

A modern clown performance about a hero’s unimagined worlds of epic proportions

Juggling isn’t a concert and a concert can’t be juggling. Unless …

Cross to the dark side of improv

Mini puppet show that wants to be the biggest there is

Tea for Five: Opium Clippers is a visual essay merging hand painted ceramics and a tea ritual.

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors

The cycle of theatrical essays, So To Speak, brings original texts performed by their authors.

Do we know how bees live? How big can a bee family be? Who are the members of the bee family? How do bees spend their time?

When does news become fake? Who even wants them? Why is there no market for fake news about fruit and vegetables?

Baker, psychic, plumber, mayor, bell-ringer. Invisible and overlooked. They have gathered to judge the history that has broken their dreams, desires, passions.

In an autobiographical tragicomedy, set on an inventive interpretation of the Don Quichotte archetype, the actors struggle with an understanding of madness and normality, art and society, idealism and reality.

NOise Cirkus je sodobna glasbeno-cirkuška improvizirana predstava, ki uporablja lastnosti in filozofijo »noise« glasbe in jih prevaja v odrski in cirkuški jezik.

A dynamic dance concert where three dancers and four percussionists take us on a journey through ever-changing constellations of movement qualities and states.

Dance performance for six dancers, which, cultivating an abstract mode of work, has fun producing moving images.

Children's cabaret in the company of naughty, greedy, spoiled, lying and in love animals.

Pure distillate of the zeitgeists by Vito Weis.

Winners are confident. Winners are passionate. Winners appreciate themselves. Winners know what they want and how to achieve it. Winners win.

My name is Robert Oppenheimer. I am so famous that I barely need a name. I am Death and the Destroyer of Worlds. I am its saviour. I am the father of the atomic bomb.

A real situation in which four individuals find themselves. How can they support each other if they are different?

Long Live the Vulva! speaks mischievously and humorously about extremely serious and important topics.

Narrative epopee by Matej Recer in Gregor Zorc.

Radically tender ceremony.

Predstava občinstvo povabi k odmiku od populističnih novic in nudi razmslek o Siriji, civilizaciji in razpadu odnosov.

Who and what become the Heroes, when they drive themselves beyond words?

Only victory matters. History remembers only those who are on top. Others are merely extras.

The performance is a walk through the storm of the protagonist’s synaptic connections, while at the same time addressing all of our bigotries and intolerances.